"Nu mă lăsa să mor": with death on death trampling

The absurd and the meditation on the end go hand in hand in Andrei Epure's feature film debut

Nu mă lăsa să mor is definitely an oddity in our cinematic landscape: a combination of bizarreness and casualness that defies the beaten path. Not everything works well or, rather, nothing works when the script steps too the pedal of the absurd, but the premise is exciting and turns into a catapult to a place located above everyone from where we can contemplate how we react to the great end.